Sylvia Plath in 2007
it's quiet now
it's been years
and educated people are still afraid of you
I've been reading your journals
you write like a cutter
Freud would have had a ball
with your mother
I would have said
dear older sister
my own sharpened jabbing sweetness
with clean sox and hairpins
don't fall so in love with endings
or some Brit gigolo dangling from a shelf
who cut his teeth on Donne and Pope
and whores in heels in fields
and love villanelles chewing on themselves
you who are astounding
a light metal
lithium perhaps
in a print dress
with matching pink and green purse
floral and canvas
always giving birth to your father's face
his fat thumb-feet
blackening on a grill
from the accelerated heat of disease
hungry for a sham
American eternity
a byline or photograph of self
plastered on something dumb and given
like happiness
not something easy
with your talent for whole worlds
mouthfuls
identity
and it's 2007
and it's still impossible to be a woman
in love with endings
fresh death like a lukewarm cake
take her from me,
the photographs of her frighten me
her eyes and hair rise to meet mine
I am also from scratch
invited and moist and incompletely described
I don't know anything but this kind of kinship
no divorce can heal this
no umbilicus to cut
childless and forty and ripe
father father
you are here
take her
shake some sense into her
or murder, poem ender.

Sexton
Is it wrong to love you
off your medication,
F******* your therapist on his vacation?
Or for me to love you off mine?
Remember the time we met,
the bells, the drooling Vet
the art teacher in the asylum
who could have been anywhere
this poem ends with her still rowing
with her paints and crayons and cheerful assessment
her "work clothes" thick with blue acrylics and glue
as if "art" was the last thing to go
I was new to feminism
boozing
and hope and
failed Southern politics and
Catholics and aesthetics
and how could you hurt your own daughter?
You were all disbelief and cigarettes,
a suicide
in a garage,
and you are pinned back in that supple leather
bucket seat
as still and lonely as a thumbtack
Strange Lady Lazarus
More Macbeth than Plath
Enjoying the role,
mocking the ambition-bird flopping in its cage,
domesticity, death,
rubbing the pink insides of your cell
a kitchen you could never love with knives too sharp to play with
your wishing well in the suburbs
a tongue always feeling for her canine teeth
telling Jesus to go to hell and
telling Mary how to lament
"it's this way" and
"you won't like it" and hell is not poetry
and hell is different
for women with talent.
ELIZABETH STASSINOS is a cultural anthropologist from the
In the past, DR. STASSINOS has volunteered as a writing facilitator for Voice From Inside’s (VFI) Pre-release workshop. Her work appeared here in the now archived November 2007 as part of the special VFI edition.